Southern Chesapeake Bay region, Virginia, United States of America
Knossos, Crete
Nepal or Tibet, 11th–12th century
Namikawa Yasuyuki
Anglo-Saxon
Paolo Uccello
25th Dynasty, Egypt
Paris, 1868, Oil on canvas, 111 x 70 cm
Tang Dynasty Horse from Henan Province, China

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Octopus Storage Jar

Knossos, Crete
1450–1400 BC
Ceramic

Standing at an impressive 75 centimetres, this three-handled jar depicts an octopus with six tentacles swimming in an abstract seascape. It was presented to the Ashmolean in 1911 by the government of Crete through Sir Arthur Evans, Keeper of the Ashmolean from 1884 to 1908. The jar comes from the palace that Evans had excavated at Knossos and belongs to a culture he called Minoan, after the legendary King Minos.

In the centuries after 1900 BC, Minoan civilization reached the height of its prosperity and influence and major palaces were built at Knossos and Mallia in the northern part of Crete, at Phaistos in the south, and at Zakros in the east. After 1500 BC, however, there was increasing influence from the Mycenaean culture of the Greek mainland and, around 1450 BC, widespread destruction on the island. Whether this was caused by invading Mycenaean warriors is unknown, but Greek influence on Crete certainly becomes even more pronounced.

Pottery from the period following the destruction shows a blend of Minoan and Mycenaean stylistic traits. The shape of this jar is typically Mycenaean and, because the contents of such vessels – oil, wine and other commodities – were in much demand, examples have been found widely. An octopus had been a popular motif on Minoan pottery where animals were depicted with an extraordinary accuracy that came from a close observation of nature. The Mycenaean approach, however, was – as here – to take naturalistic motifs and abstract them, eventually to the point at which they are almost unrecognisable.

You can see it in Gallery 20 on the Ground Floor.

Knossos, Crete
1450–1400 BC
Ceramic
Height 74.5 cm, diam. 54 cm